The art of today is that which really belongs to us: it is our own reflection. In condemning it we but condemn ourselves.

In art the Present is the eternal.

Translation is always a treason, and as a Ming author observes, can at its best be only the reverse side of a brocade- all the threads are there, but not the subtlety of colour or design.

It is not the accumulation of extraneous knowledge, but the realization of the self within, that constitutes true progress.

The canvas upon which the artist paints is the spectator’s mind.

Teaism is a cult founded on the adoration of the beautiful among the sordid facts of everyday existence. It inculcates purity and harmony, the mystery of mutual charity, the romanticism of the social order.

We take refuge in pride, because we are afraid to tell the truth to ourselves.

Our mind is the canvas on which the artists lay their colour; their pigments are our emotions; their chiaroscuro the light of joy, the shadow of sadness. The masterpiece is of ourselves, as we are of the masterpiece.

The ancient sages never put their teachings in a systematic form. They spoke in paradoxes, for they were afraid of uttering half-truths. They began by talking like fools and ended by making their hearers wise.

In Japan, I took part in a tea ceremony. You go into a small room, tea is served, and that’s it really, except that everything is done with so much ritual and ceremony that a banal daily event is transformed into a moment of communion with the universe.